Gordon Andrews graphic designer, resided in New South Wales. 1914-2001.

In terms of legacy, Gordon Andrews was widely regarded as one of the founders of design in Australia, having exerted a pioneering influence on design since World War 11. His most prominent work was produced during a 20-year design consultancy to the Reserve Bank of Australia, during which he designed Australia’s dollar currency notes, bank interiors and developed the bank’s symbol and graphics.

Although graphic design was the mainstay of Andrews’ practice, his work embraced many disciplines including interior, exhibition, furniture and industrial/product design. He was one of Australia’s first jewellery designers as well as a talented artist, sculptor, painter, photographer, cartoonist and illustrator. Examples are held at the Powerhouse Museum.

Not only charting his own course, Andrews pathed the way for other Australian designers. Tellingly, he was one of a handful of designers who in the fifties was working abroad – drawing attention to Australian design capabilities. After initial experience in an advertising agency on home soil, Andrews practiced in the UK (1937-1939) and again in (1949-1956). There he worked with Sir Misha Black’s Design Research Unit, during the Festival of Britain era, a time associated with a post-war awakening to design and the profession. In Turin, Italy Andrews linked up with pioneers in corporate design, Olivetti (1950-1951). Setting up digs in Neutral Bay on return to Australia –- Andrews’ headed one of the earliest known design consultancies and graphic design practices.

Initially undertaking design and fine art training at East Sydney Technical College saw Andrews’ ahead of his time in so far as the availability of formal design courses, however he was committed to advancing professional design education throughout his career. Known for consistently setting standards at the top of his profession, Andrews also made the time to advise and nurture young aspiring designers.

The induction of Gordon Andrews to the Design Institute of Australia’s Hall of Fame in 2011 pays homage to his significant contribution to the development of a strong design profession through both professional practice and as a vocal advocate.